It tells you something about Maserati that the company assembled what is, possibly, its best racing car — the Tipo 60/61 — after it pulled out of motor racing.
It tells you more about Maserati when you learn that one of the seven sons of Rodolfo and Carolina Maserati was named Alfieri, but when he passed away just months after his birth in 1885, his name was passed on to the next-born son, who came into this world in 1887. (With seven sons to his credit, Rodolfo Maserati was apparently a devotee of the song “Carolina in the Morning.”)
Maserati brotherhood
Five of those seven Maserati Tipo 60/61 “Birdcage” became sort of the Marx brothers of motor racing, while Mario, who became a painter, kept his hand in the family business by designing the company’s legendary trident logo. Carlo, the oldest of the Maserati Read more . . .
Certainly, the mid-priced brands from General Motors — Oldsmobile, Pontiac, and Buick — and Chrysler’s Dodge division have always had better-defined personas than Mercury, and that has always been to Mercury’s disadvantage. It seems that over the course of its history, Mercury has wavered from being just a tarted-up Ford to a near-Lincoln, which has made it improbable for the buying public to pin down. Of course, in the clutter of the American car market, if a brand has a puzzled image, it really has no image at all.
There was a time when Jaguars were driven by courageous young men who took them to the very edge of their very high limits. And there was a time when Jaguar was a force to be imagined in the most grueling road racing of all, the 24 Hours of Le Mans.
don’t we get it all out of the way right now. On September 30, 1955, Dean, fresh off the film Giant, left George Barris’s shop in Los Angeles to go racing in Salinas, a farm town inland of Monterrey made popular by John Steinbeck. (Dean, of course, had recently starred in the movie of Steinbeck’s novel East of Eden, set in the same location.) The young movie actor was at the wheel of his Porsche 550 Spyder.